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open mouth. So I have left the 14 tracks (or rather the 14 improvisations) that make ''New History Warfare Vol.2 = Judges''(Constellation, 2011) of Colin Stetson eclectic musician specialized U.S. in wind instruments (mainly saxophone and cornet), the second in his great work after the onset for Agoo four years ago. But surprisingly, also read the slew of collaborations and the curriculum of the boy from the Archive Fire to Godspeed You! Black Emperor (which was also tour member and session man), and even Tom Waits, Sinead O'Connor, David Byrne, etc..
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E 'worth specifying that, however, regardless of unquestionable value of groups and individual artists mentioned above, obviously none of these Stetson could enjoy the freedom of expression but that is breathed in''New History Warfare Vol.2 ,''an important work in giving us the opportunity to see the variety of experience sudden (from avant-jazz minimalism) achievable through the use of wind instruments, as well as a demonstration of how the testing can come to the results (do not say but extremely ..) all in all accessible''enough''(or at least that's my opinion). I add only that the work was recorded live in the studio without overdubs, thanks to the contribution in the production of Shahzan Ismailly, and is embellished with some vocal tracks from interventions by Laurie Anderson and Shara Worden. Bello and extremely fascinating [can be reached here or here].
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